Compassion in advertising | BMD Marketing Library
HomeLibraryEmotionsCompassion
Library additions

Compassion

Ads and videos written to this emotion: 33. 17 make the Say move, 6 make the Avoid mistake.

What it is

Facing someone's suffering as an equal and offering kindness from beside them, not above them. It includes wanting to help, and its near neighbor is pity: the same concern felt from a distance, with the other person seen as lesser.

Where it shows up

Charity and relief appeals, health campaigns, zakat and Ramadan giving, a brand helping in a crisis.

Say

Show the need honestly, then the way forward: the person as someone with a life and plans, and exactly what the reader's help does and what changes after it (the water point, the school term, the course of treatment). For a brand, keep the cause and the people more visible than the logo, and say how much of each purchase goes to the cause.

Describing one concrete thing a charity does, clean water for villages in West Africa, instead of its work in general, raised real donations by over 80%, from $0.48 to $0.88 out of a $2 fee (Cryder and colleagues 2013, 119 adults in a US city; a second test with 94 more found the same). Limit: small sums and US donors.

In two UK experiments, an appeal showing people in context and with a voice (in one, a child in class holding a "future doctor" sign) did no worse on how many gave or how much than one showing a lone suffering child, and the pity appeal left people feeling less able to do anything about poverty (Beswick and colleagues 2019, a student lab test and a nationally representative survey). Limit: the chapter gives no sample sizes; UK donors, African beneficiaries.

Avoid

Pity: suffering staged to squeeze out a gift, people shown only as helpless, the reader cast as their rescuer. A sad face can lift giving in the moment, but dignified appeals have raised as much, and pity leaves people feeling nothing can change.

A sad face does pay in the short run: 77% of people shown a charity flyer with a sad child gave part of their $10 fee, against 52% when the same child looked happy or neutral (Small and Verrochi 2009, 151 US students and staff). Limit: mild sadness on a healthy child; those who gave did not give more, and the authors warn that intense misery may leave viewers feeling helpless.

Sources

  • Cryder, Loewenstein and Scheines (2013). Organizational Behavior and Human Decision Processes 120(1).
  • Beswick, Dasandi, Hudson and vanHeerde-Hudson (2019). Chapter 10 in an edited volume, Manchester University Press.
  • Small and Verrochi (2009). Journal of Marketing Research 46(6).

All emotions

Doing it wrong

Ads that make the Avoid mistake.

Islamic Muwasat Society hospital lottery ad, al-Musawwar 1932

Humanity calls on you and the tears of the wretched plead with you: the poor appear only as weeping and the reader as their rescuer, even though a free hospital for the poor is named.

digitalcollections.aucegypt.eduOpen

Save food and defeat frightfulness poster with Whittier quote

Mother, nurse, old man and child are bound in ropes and reach for the word America, shown only as helpless with the reader cast as rescuer, while the ask, save food, gives no rule.

commons.wikimedia.orgOpen

al-Muwasat Islamic Society hospital lottery ad, al-Musawwar 1932

The tears of the desperate call on the reader before any number appears, casting the poor as pleading and the reader as rescuer, then the ask shrinks to no more than one ticket.

digitalcollections.aucegypt.eduOpen

Give or we perish poster

A woman clutching her wrap speaks GIVE OR WE PERISH, so she appears only as helpless, the reader is cast as her rescuer, and nothing says what a gift does for her.

commons.wikimedia.orgOpen

"Serbia" humanitarian relief poster

One word, SERBIA, over a weeping child and a mother with eyes shut shows a country only through its suffering, with no act for the viewer and nothing on what help would change.

commons.wikimedia.orgOpen

Liberty Bonds poster: "Must Children Die and Mothers Plead in Vain?"

Shows the mother only as a helpless pleader, children clinging to her skirt, and casts the viewer as the rescuer whose bond decides whether 'children die'.

Guilt heavier than the lapse

commons.wikimedia.orgOpen
Library updates

If this library is useful, leave an email

We send new patterns, ads, and notes when we add them. Name and phone are optional.

Optional
Optional