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Specimen as proof

Akaoui jewellery ad, Bint al-Nil 1947

digitalcollections.aucegypt.edupublic-domain (university archive statement)Country: EgyptCollection: Bint al-Nil

American University in Cairo, Rare Books and Special Collections Library. Bint al-Nil. RBSCL believes this item is in the public domain.

The pattern

This still is filed under Specimen as proof.

Define

A specimen (type, material, finish) is shown so the product proves itself under comparison.

Mechanism

Controlled display. Same conditions, side by side, no adjective required. The sample is the sentence.

Verdict

Buyers choose by eye or by hand and we can put the real thing in front of them.

Read the pattern

Why it works

Three flower brooches fill almost the whole column, white on black, so the reader inspects the stone-setting and the petals before any claim is made. The only copy is a label, 'from the masterpieces of new creations', then the name Akaoui and one address, 42 Soliman Pasha Street: the pieces are left to argue their own quality.

The big idea

Akaoui lets three flower brooches, shown white on black and nearly column-high, stand as its masterpieces of new design with almost no words.

The offer

Jewellery from Akaoui, 42 Soliman Pasha Street.

The proof

The pieces themselves: three flower brooches drawn large enough for the reader to inspect the stone-setting and the petals.

Lines from the ad

من روائع المبتكرات ... مجوهرات عكاوى

From the masterpieces of new creations . Akaoui jewellery

٤٢ شارع سليمان باشا

42 Soliman Pasha Street

Steal this when

Use it when the craftsmanship is visible up close and a single line naming the maker is all the buyer needs.

The emotion

Written to Desire. It does neither clearly.

Three flower brooches drawn white on black, nearly column-high, invite the reader to study the settings, yet the ad gives only the maker's name and one address, with no price or terms.

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